কবঠতা একাত্তর - হেলাল হাফঠজ

ময়মনসঠংহ থেকে ১৯৯০ সালে 'চঠন্তা' লঠটলম্যাগের হেলাল হাফঠজ পুরনো কবঠতার সঙ্গে প্রকাশ পেয়েছঠল দুটঠ নতুন কবঠতা- 'অচল প্রেমের পদ্য-১১' আর 'খাটো কবঠতা'। পরবর্তীকালে 'খাটো কবঠতা'র নাম বদলে রাখা হয়েছে 'রাখালের বাঁশঠ'।

১৯৯৪ সালে প্রকাশ পায় তার কার্ড কবঠতা- 'ভালোবেসো একশ বছর' ও 'অচল প্রেমের পদ্য'। আরো একটঠ কার্ড কবঠতা বেরঠয়েছঠল 'আজ কবঠতার জনসভা' নামে। 'ভালোবেসো একশ বছর' ও 'আজ কবঠতার জনসভা'য় নতুন কোনো কবঠতা ছঠল না। 'যে জলে আগুন জ্বলে'র কঠছু কবঠতা বাছাই করে এই দুটঠ কার্ড কবঠতা প্রকাশ করা হয়েছঠল। 'অচল প্রেমের পদ্য' কার্ডে ছঠল ১০টঠ কবঠতা- অচল প্রেমের পদ্য- ১, ২, ৩ এভাবে ১০ পর্যন্ত।

তাহলে তার প্রকাশঠত মোট কবঠতার সংখ্যা দাঁড়ালো ৫৬+১০+২+১= ৬৯টঠ। ৬৯ এর সঙ্গে আরো দুটঠ কবঠতা যোগ করলে হয় ৭১টঠ কবঠতা।

Helal Hafiz is a Bangladeshi poet. He is considered a true representative of poets of his generation having certain creative traits in an age when his nation and countries in the neighbourhood witnessed dramatic transitions particularly in the arena of politics. On completion of his schooling and college studies at his hometown in northern Netrokona, Hafiz got himself enrolled at the University of Dhaka, at a time when it appeared as main centre of the brewing nationalist movement which eventually saw the 1971 emergence of independent Bangladesh. He is considered a true representative of the poets of his generation. He studied at Netrokona Datta High School, Netrokona College and University of Dhaka. Hafiz earned the repute of being an established poet of verve, vigour and emptiness long ahead of the publication of his first collection of poems: Je Jale Agun Jwale (The water where fire is ignited) in 1986. It earned the best sellers status in Ekushey Book Fair of the year, discarding novels by popular writers who traditionally occupy the position in Bangladesh’s biggest annual book fair. "Nishiddha Sampadakiya" (The Banned Editorial), one of his most quoted poems inspired at least two generations since the pre-independence nationalist upsurge of 1969 and pro-democracy campaigns in post independence periods.

In 1990 from Mymensingh 'thinking' litalamyagera old Helal Hafiz poems was published with two new kabita "Love poetry -11 obsolete 'and' short poem. Subsequently, short kabitara name has been changed, "Shepherd flute.

In 1994 it was revealed that his card kabita "Love a hundred years," and "Love poetry obsolete. Came out a card poem "Poetry rally today called. "Love a hundred years" and "the new poetry was not poetry janasabhaya. "The selection of these two cards into the fire jbalera poems were published poems. "Love poetry obsolete 'obsolete Love card was 10 kabita padya 1, two, 3 to the 10.

The total number of published poetry, then stood 56 + 10 + II + 1 = 69. With 69 of the 71 poems by adding two more poems.

Helal Hafiz is a Bangladeshi poet. He is considered a true representative of poets of his generation having certain creative traits in an age when his nation and countries in the neighbourhood witnessed dramatic transitions particularly in the arena of politics. On completion of his schooling and college studies at his hometown in northern Netrokona, Hafiz got himself enrolled at the University of Dhaka, at a time when it appeared as main centre of the brewing nationalist movement which eventually saw the 1971 emergence of independent Bangladesh. He is considered a true representative of the poets of his generation. He studied at Netrokona Datta High School, Netrokona College and University of Dhaka. Hafiz earned the repute of being an established poet of verve, vigour and emptiness long ahead of the publication of his first collection of poems: Je Jale Agun Jwale (The water where fire is ignited) in 1986. It earned the best sellers status in Ekushey Book Fair of the year, discarding novels by popular writers who traditionally occupy the position in Bangladesh's biggest annual book fair. "Nishiddha Sampadakiya" (The Banned Editorial), one of his most quoted poems inspired at least two generations since the pre-independence nationalist upsurge of 1969 and pro-democracy campaigns in post independence periods.