Download Parveen_shakir_urdu_hindi_poetry_ghazal_khushbu APK latest version Free for Android
Version | 1.0 |
Update | 2 years ago |
Size | 6.75 MB (7,074,416 bytes) |
Developer | NFB Games |
Category | Apps, Books & Reference |
Package Name | com.parveen_shakir_urdu_hindi_poetry_ghazal_khushbu_inkar_khudkalami |
OS | 4.1 and up |
Parveen_shakir_urdu_hindi_poetry_ghazal_khushbu APPLICATION description
This low size app is a perfect alternate of all poetry written by parveen shakir
This low-size app is a perfect alternate of all poetry written by parveen shakir all ghazals from all books, all nazms from all books, and all Ashaar from all books.
Parveen Shakir PP (Urdu: پروین شاکر; 24 November 1952 - 26 December 1994)
were a Pakistani poet, teacher, and a civil servant of the Government of
Pakistan. She is best known for her poems, which brought a distinctive
feminine voice to Urdu literature, and for her consistent use of the
rare grammatical feminine gender for the word "lover".
Volumes of Poetry
خوشبو • "Khushbu" (1976) - Fragrance
صد برگ • "Sad-barg" (1980) - Marsh Marigold
خود کلامی • "Khud-kalaami" (1990) - Soliloquy
اِنکار • "Inkaar" (1990) - Refusal
ماہِ تمام • "Maah-e-Tamaam" (1994) - Full Moon (Compilation of the books
above)
کفِ آئینہ • "Kaf-e-Aa'ina" - The Mirror's Edge (Posthumous release
compiling works from diaries)
Prose
گوشہ چشم • "Gosha-e-Chashm" - Corner of the eye (Compilation of newspaper
columns)
Parveen Shakir started writing at a very young age. She wrote both
prose and poetry contributed columns in Urdu newspapers, and a few
articles in English dailies. Initially, she wrote under the pen-name
"Beena".
After teaching for nine years, she joined the Civil Service of
Pakistan and worked in the customs department. In 1986, she was
the appointed second secretary of the Central Board of Revenue (now
Federal Board of Revenue) in Islamabad, Pakistan.
In 1976, Parveen Shakir published her first volume of poetry Khushbu
(Fragrance) to great acclaim. She was awarded one of the highest
honors of Pakistan, the Pride of Performance, for her outstanding
contributions to literature. She subsequently published other volumes
of poetry including Sad-barg (Marsh Marigold) in 1980, and Khud Kalāmi
(Soliloquy) and Inkār (Denial) in 1990. These poetry books are
collected in Māh-e-Tamām (Full Moon). She also published a collection
of her newspaper columns, titled Gosha-e-Chashm (Corner of the Eye).
Kaf-e-Āina (The Mirror's Edge) was released posthumously with works
from her diaries and journals.
Parveen Shakir's poems are known for their in-depth exploration of
sensitive topics rarely talked about, especially for women. Her poems
aimed to encompass all parts of being a woman, from the innocence to
the start of being conscious of one's own sexuality, and more adult
struggles as well. These include the hardships of love, the
restrictions and social pressures faced uniquely by women, and the
need for women to be more represented in all areas of society. One
the aspect of writing that Shakir is particularly known for is her
introduction of female pronouns, both first-person and third-person,
as a way to normalize femininity in poetry, specifically within the
realm of Urdu poetry, a traditionally masculine field.
Through her ghazals, in particular, she continued to embody a feminine
voice through grammatical choices, giving a voice to females and the
female experience. Shakir's personal life was extremely influential in
the choice of style and topic that she chose to pursue. An example of
this would be the tumultuous divorce between her and her husband,
which resulted in her losing custody of her son due to Pakistani law.
This event was one of the reasons her writing focused heavily on
women's issues in regards to their place in society. Many of her poems
lament the discrimination women face, especially as a divorcee living
in a more conservative country.
On 26 December 1994, Parveen's car collided with a bus while she was
on her way to work in Islamabad. The accident resulted in her death, a
a great loss to the Urdu poetry world.
The road on which the accident took place is named after her as
Parveen Shakir Road.
Parveen Shakir PP (Urdu: پروین شاکر; 24 November 1952 - 26 December 1994)
were a Pakistani poet, teacher, and a civil servant of the Government of
Pakistan. She is best known for her poems, which brought a distinctive
feminine voice to Urdu literature, and for her consistent use of the
rare grammatical feminine gender for the word "lover".
Volumes of Poetry
خوشبو • "Khushbu" (1976) - Fragrance
صد برگ • "Sad-barg" (1980) - Marsh Marigold
خود کلامی • "Khud-kalaami" (1990) - Soliloquy
اِنکار • "Inkaar" (1990) - Refusal
ماہِ تمام • "Maah-e-Tamaam" (1994) - Full Moon (Compilation of the books
above)
کفِ آئینہ • "Kaf-e-Aa'ina" - The Mirror's Edge (Posthumous release
compiling works from diaries)
Prose
گوشہ چشم • "Gosha-e-Chashm" - Corner of the eye (Compilation of newspaper
columns)
Parveen Shakir started writing at a very young age. She wrote both
prose and poetry contributed columns in Urdu newspapers, and a few
articles in English dailies. Initially, she wrote under the pen-name
"Beena".
After teaching for nine years, she joined the Civil Service of
Pakistan and worked in the customs department. In 1986, she was
the appointed second secretary of the Central Board of Revenue (now
Federal Board of Revenue) in Islamabad, Pakistan.
In 1976, Parveen Shakir published her first volume of poetry Khushbu
(Fragrance) to great acclaim. She was awarded one of the highest
honors of Pakistan, the Pride of Performance, for her outstanding
contributions to literature. She subsequently published other volumes
of poetry including Sad-barg (Marsh Marigold) in 1980, and Khud Kalāmi
(Soliloquy) and Inkār (Denial) in 1990. These poetry books are
collected in Māh-e-Tamām (Full Moon). She also published a collection
of her newspaper columns, titled Gosha-e-Chashm (Corner of the Eye).
Kaf-e-Āina (The Mirror's Edge) was released posthumously with works
from her diaries and journals.
Parveen Shakir's poems are known for their in-depth exploration of
sensitive topics rarely talked about, especially for women. Her poems
aimed to encompass all parts of being a woman, from the innocence to
the start of being conscious of one's own sexuality, and more adult
struggles as well. These include the hardships of love, the
restrictions and social pressures faced uniquely by women, and the
need for women to be more represented in all areas of society. One
the aspect of writing that Shakir is particularly known for is her
introduction of female pronouns, both first-person and third-person,
as a way to normalize femininity in poetry, specifically within the
realm of Urdu poetry, a traditionally masculine field.
Through her ghazals, in particular, she continued to embody a feminine
voice through grammatical choices, giving a voice to females and the
female experience. Shakir's personal life was extremely influential in
the choice of style and topic that she chose to pursue. An example of
this would be the tumultuous divorce between her and her husband,
which resulted in her losing custody of her son due to Pakistani law.
This event was one of the reasons her writing focused heavily on
women's issues in regards to their place in society. Many of her poems
lament the discrimination women face, especially as a divorcee living
in a more conservative country.
On 26 December 1994, Parveen's car collided with a bus while she was
on her way to work in Islamabad. The accident resulted in her death, a
a great loss to the Urdu poetry world.
The road on which the accident took place is named after her as
Parveen Shakir Road.
↓ Read more
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Old versions
Version | Size | Update |
---|---|---|
⇢ 1.0 (5 variants) | ↓ 6.75 MB | ◴ 2 years ago |